Milo Rau’s “Everyman” reinterpretation: high mass of the do-gooders

At the beginning of the performance of “Everywoman” the cathedral bells ring, but you can hear them in the Salzburg scene, a side venue of the festival, only as a tape recording, not the original as with “Jedermann” on Domplatz, at the end of the reinterpretation of that piece, which is inextricably linked with the … Read more