Barbie Ferreira on New Projects ‘Faces of Death’ and ‘Mile End Kicks’

by Anika Shah - Technology
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Barbie Ferreira Breaks Out: From ‘Euphoria’ to Horror and Indie Rom-Coms

It is a pivotal moment for Barbie Ferreira. After establishing herself as a breakout star on HBO’s Euphoria, the 29-year-old actress is now pivoting toward a diverse indie film career. This month marks a significant milestone as Ferreira delivers leading performances in two drastically different films: the horror reimagining Faces of Death and the music-driven romantic comedy Mile End Kicks.

By stepping away from the constraints of a massive television hit, Ferreira is intentionally expanding her range and prioritizing creative fulfillment over mainstream visibility. Whether exploring the macabre or the nostalgic “indie sleaze” of the early 2010s, her latest projects signal a calculated move toward artistic autonomy.

Faces of Death: A Macabre Reimagining

Now playing in theaters, Faces of Death is a horror update of the controversial 1978 mockumentary. Filmed in Novel Orleans in 2023, the project was a natural fit for Ferreira, who has long been fascinated by the macabre and once dreamed of becoming a medical examiner.

Faces of Death: A Macabre Reimagining
Ferreira Mile End Kicks Faces of Death

For Ferreira, the appeal of the project lay in the script’s unique approach to discussing the internet. While the original 1978 film faced bans in several countries due to its content, this new iteration allows Ferreira to explore the horror genre while tackling contemporary themes.

Mile End Kicks: Nostalgia and ‘Indie Sleaze’

Premiering on April 17, Mile End Kicks offers a complete tonal shift from horror. This Canadian indie film is a music-driven romantic comedy set in 2011 Montreal. Ferreira describes the project as a period piece, noting that the “indie sleaze” aesthetic mirrors her own teenage years spent modeling and socializing in Brooklyn.

From Instagram — related to Ferreira, Mile End Kicks

The film represents Ferreira’s openness to various genres, provided the writing is strong and the director’s vision aligns with her own. This versatility is a core part of her current strategy to establish herself as a working actor with a broad repertoire.

The Decision to Leave ‘Euphoria’

Ferreira’s transition to film follows her decision to leave Euphoria in 2022. While the show brought her global fame, she felt that the role was beginning to diminish her ability to show her range. She explained to Deadline that her primary motivation was the necessitate to grow her career and find creative fulfillment, regardless of whether the project was the “biggest show of all time.”

Beyond the professional growth, Ferreira is too mindful of her personal well-being. She has expressed a desire to maintain a “normal life,” contrasting her journey with that of pop stars who lack privacy. By choosing her projects carefully, she aims to balance a successful acting career with a grounded personal existence.

Key Takeaways: Barbie Ferreira’s Career Pivot

  • Diversification: Moving from a single high-profile TV role to leading roles in both horror (Faces of Death) and romantic comedy (Mile End Kicks).
  • Creative Agency: Prioritizing well-written scripts and directorial chemistry over the scale of the production.
  • Genre Exploration: Utilizing a personal interest in the macabre for horror and a connection to 2011 aesthetics for indie cinema.
  • Sustainable Fame: Intentionally pursuing a path that allows for a professional acting career without sacrificing a normal private life.

Looking Ahead

Barbie Ferreira’s current trajectory suggests a commitment to the indie circuit and a refusal to be pigeonholed by her early success. By embracing contrasting roles and prioritizing artistic satisfaction, she is building a foundation for a long-term career defined by versatility rather than a single iconic character.

'Faces of Death' star Barbie Ferreira gives advice to her younger self

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