Actor Catherine Zeta-Jones has spoken out against the entertainment industry’s use of the term “nepo baby,” calling the label “horrific” as her own children pursue careers in film and television. According to an interview with The Times reported by The Independent, the 56-year-old Welsh actor defended her children—Dylan, 26, and Carys, 23—arguing that they are carving out their own paths without asking to be born into fame.
Defending Family Legacy in Film
Zeta-Jones shares her two children with her husband of 26 years, Michael Douglas, 81. Addressing the scrutiny faced by offspring of high-profile stars, Zeta-Jones told The Times that the moniker is damaging to young professionals trying to establish themselves. “This horrific phrase ‘nepo baby’ is horrible because these kids didn’t ask to be born into this, they’re finding their own way in life,” she stated, as noted by The Independent.
The actor highlighted her children’s dedication to the craft, noting that Dylan has acted in several upcoming short films while Carys has worked as an assistant director. Zeta-Jones recalled that Carys previously considered a different career path, saying, “My daughter wanted to be Amal Clooney for a while. But you have to go with your dreams, your passion.” She added that both of her children genuinely love and excel at acting, emphasizing that she and Douglas would otherwise steer them toward other professions like law school.
The Origins and Rise of the Monitored Term
The colloquial term “nepo baby” gained widespread cultural traction in late 2022 following a viral social media post about actor Maude Apatow—daughter of filmmaker Judd Apatow and actor Leslie Mann—and a subsequent cover story by New York Magazine. Since then, the label has sparked ongoing debates across Hollywood regarding industry access, unearned advantages, and the realities of nepotism.
Numerous performers connected to industry veterans have addressed the label in recent years. In 2024, singer Lily Allen—daughter of actor Keith Allen—criticized the descriptor as infantilising, arguing that it is frequently applied disproportionately to women. Conversely, other artists have acknowledged the substantial safety net provided by their familial backgrounds. Singer Gracie Abrams, daughter of director J.J. Abrams, discussed her upbringing during a July appearance on The New York Times’ PopCast, noting that financial security and the gift of time allowed her the ability to experiment and dedicate herself to music without fear.
Navigating Public Scrutiny
As the debate surrounding industry lineage continues to shape interviews across the entertainment landscape, established figures like Zeta-Jones maintain that second-generation artists face distinct pressures alongside their privileges. While critics use the term to highlight systemic advantages available to well-connected newcomers, performers and their families continue to push back against shorthand labels that they argue minimize individual effort and ambition.
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