Amazon MGM Studios is developing a one-hour drama series based on Adrienne Miller’s short story “Shadow Work,” following a competitive bidding war that saw producers field multiple offers before a preemptive acquisition. Miller will write the pilot episode and serve as an executive producer on the project.
Production and Creative Team Behind Shadow Work
Adrienne Miller’s short story attracted intense industry interest before Amazon MGM Studios secured the rights in a preemptive deal, according to sources familiar with the negotiation. Alongside her writing duties for the pilot, Miller joins the production as an executive producer.
Former Amazon executive Marc Resteghini will also executive produce the series through his production banner, Jack Tar Pictures, which operates under an overall deal at Amazon MGM Studios. Resteghini spent nearly a decade as a senior creative executive at Amazon before launching Jack Tar Pictures. His current development slate includes the Amazon series “Young Sherlock,” which secured a Season 2 renewal in April, an animated series adaptation of Tui T. Sutherland’s “Wings of Fire” books, a feature adaptation of Lauren Oliver’s upcoming novel “The Girl in the Lake” in partnership with United Artists, and a series inspired by the music of Billy Joel created by David Weil and MGM Television. Representatives for Amazon declined to comment on the acquisition.
Miller brings an extensive literary background to the adaptation. She authored the novel “The Coast of Akron” and the memoir “In the Land of Men,” which details her trajectory through the publishing industry to become the first female literary editor at Esquire. During her tenure, the magazine won the National Magazine Award for fiction, and she remains a frequent contributor to Vogue. Miller is represented by Gersh and Yorn Levine.

Plot Details and Character Arc
The official logline for the series centers on Genevieve Pearce, described as an elite ghostwriter trusted with guarding the secrets of wealthy and infamous clients. Within the narrative, Pearce embeds herself in powerful circles to excavate secrets, reshape memories, manufacture redemption, and alter public perceptions.
The central conflict of the story pivots on the premise that whoever controls the narrative dictates reality. As Pearce systematically rewrites the lives of others, the plot forces her to confront the first narrative she ever helped reconstruct: her own past.