My Fair Lady Production Overcomes Unexpected Challenges at American Theater Group
As the American Theater Group’s (ATG) production of My Fair Lady neared the end of its three-week run, Producing Artistic Director Jim Vagias anticipated a celebratory “swan song” marking his final production after leading the company since 2012. However, a series of unforeseen circumstances tested the resilience and adaptability of the entire team, culminating in Vagias himself stepping into a leading role.
A Quick Change and a Rising Star
The first challenge arose on Thursday evening with an injury to ensemble member Grace McLean. Choreographer Victoria Casillo swiftly identified Amelia Famularo as the ideal replacement, recognizing her familiarity with the choreography and existing rapport with the cast. “When we were faced with the choice of either changing the choreography or putting someone new into the show, I knew who could step in,” Casillo explained. Assistance from Jaid Green (assistant choreographer/dance captain) and Paul Watt-Morse (assistant dance caption) proved crucial in preparing Famularo for her debut with minimal rehearsal time.1
An Unexpected Absence and a Director’s Dilemma
The following day brought a more significant crisis. Actor Andrew Fehrenbacher, who portrayed Henry Higgins, fell ill and was unable to perform. With no understudy available, the production team initially canceled Friday evening’s performance. Production Manager Cat Murphy and the team began exploring contingency plans, but finding a suitable replacement with sufficient knowledge of the production proved unrealistic.
From Director to Higgins
In a surprising turn of events, Jim Vagias, the director, volunteered to step into the role of Henry Higgins. Having performed the part 15 years prior, he retained knowledge of the blocking and score. Despite acknowledging the daunting task and concerns about stamina, Vagias committed to ensuring the show continued.1
A Collaborative Effort and a Successful Finish
A quick rehearsal was held Saturday morning, necessitating minor adjustments to the choreography and prop usage to accommodate Vagias’s use of the script. The cast rallied around him, and the performance proceeded with enthusiastic support from the audience. Despite a few minor glitches, the show was deemed a success. Vagias ultimately performed the remaining two shows, receiving praise from audiences.1
A Testament to Theater Professionals
Vagias emphasized the importance of ensuring the show continued for both financial reasons and to honor the dedication of the cast and crew. He expressed immense pride in the team’s collaborative spirit and professionalism. Choreographer Victoria Casillo highlighted the often-unsung contributions of dance captains, swings, and understudies, recognizing their adaptability and leadership skills.1
The American Theater Group’s production of My Fair Lady, which ran from February 26 to March 15, 2026, at venues including the Sieminski Theater in Basking Ridge, the DMK Black Box Theater/Union Arts Center in Union, and UCPAC’s Hamilton Stage in Rahway, served as a powerful reminder of the resilience and collaborative spirit inherent in live theater.2