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Box Office: “GOAT” Beats “Wuthering Heights” for Weekend Win

‘GOAT’ Leads Quiet Box Office Weekend, Edges Out ‘Wuthering Heights’ Sony Pictures Animation’s “GOAT” took in $17 million, while Warner Bros.’ “Wuthering Heights” earned $14.2 million, according to studio estimates released on Sunday . Both films are in…

Box Office: “GOAT” Beats “Wuthering Heights” for Weekend Win

‘GOAT’ Leads Quiet Box Office Weekend, Edges Out ‘Wuthering Heights’

Sony Pictures Animation’s “GOAT” took in $17 million, while Warner Bros.’ “Wuthering Heights” earned $14.2 million, according to studio estimates released on Sunday . Both films are in their second weekend of release.

it was a quiet weekend at movie theaters across the country, with new releases all opening under $10 million. This included the faith-based sequel “I Can Only Imagine 2,” the Glen Powell black comedy “How to Develop a Killing,” and the horror film “Psycho Killer,” which currently holds a 0% rating on Rotten Tomatoes.

A bright spot was Baz Luhrmann’s immersive documentary “EPiC: Elvis Presley in Concert,” which earned $3.3 million from only 325 locations in its limited IMAX release. The film is set to expand to nationwide distribution on February 27.

“These somewhat slower weekends can be a land of opportunity,” said Paul Dergarabedian, the head of marketplace trends for Comscore .

‘GOAT’ Performance and Details

“GOAT” experienced a slight drop of 38% in its second weekend, which the studio attributes to positive word-of-mouth. The Stephen Curry-produced movie, featuring Caleb McLaughlin (“Stranger Things”) voicing the lead character, has grossed over $58.3 million domestically. Globally, its total earnings stand at $102.3 million .

‘Wuthering Heights’ Performance

“Wuthering Heights” saw a 57% decrease from its opening weekend, bringing its domestic total to $60 million. Internationally, it added another $26.3 million, pushing its global total to $151.7 million against an $80 million production budget. The United Kingdom remains its top international market, with earnings of $22.5 million .

Other Box Office Results

Third place went to Lionsgate and Kingdom Story’s “I Can Only Imagine 2,” a sequel to the 2018 film that earned $86 million against a $7 million budget. The sequel opened with $8 million, in line with expectations, and received an A+ CinemaScore.

Amazon and MGM’s “Crime 101” fell 59% in its second weekend, earning $5.8 million and taking fourth place. The Chris Hemsworth and Mark Ruffalo heist thriller has now made $24.7 million against a reported $90 million budget.

“Send Help” rounded out the top five with $4.5 million.

“How to Make a Killing” landed in sixth place with $3.6 million. Released by A24 in 1,600 North American theaters, the film, loosely inspired by “Kind Hearts and Coronets,” stars Powell as a man attempting to inherit a $28 billion fortune by eliminating his family members. The film received a “rotten” 47% rating on Rotten Tomatoes.

“Psycho Killer,” released by 20th Century Studios, performed poorly, opening outside the top 10 with $1.6 million in ticket sales from 1,110 theaters. Audience reception mirrored critical reviews, with only 31% of ticket buyers indicating they would “definitely recommend” it.

Looking Ahead

The year’s box office is currently running about 5% ahead of last year, and Dergarabedian anticipates an increase with the release of “Scream 7” next weekend .

“It’s been a kind of rollercoaster ride at the box office,” he said.

Top 10 Movies by Domestic Box Office

  • “GOAT,” $17 million
  • “Wuthering Heights,” $14.2 million
  • “I Can Only Imagine 2,” $8 million
  • “Crime 101,” $5.8 million
  • “Send Help,” $4.5 million
  • “How to Make a Killing,” $3.6 million
  • “EPiC: Elvis Presley in Concert,” $3.3 million
  • “Solo Mio,” $2.6 million
  • “Zootopia 2,” $2.3 million
  • “Avatar: Fire and Ash,” $1.8 million
About the author: Anika Shah - Technology

MSc in Computer Science, senior reporter. Anika focuses on AI ethics, cybersecurity, and emerging hardware—frequently moderating panels at CES and Web Summit. “Anika Shah decodes tech breakthroughs and startup disruption shaping tomorrow’s digital landscape.”