Isabelle Huppert it is to French cinema what French cinema is to French cinema. Otherwise, Isabelle Huppert is entirely French cinema. And European even. On Thursday she went to Madrid to present what is neither the last nor the penultimate of her films. an easy target, by Jean-Paul Salomé, appears in the hundred and a half films of his filmography in an undetermined place among the seven (yes, seven) productions in which he left his name last year. In the one that concerns us, he has already been five. Inflexible, irresistible and immeasurable, the actress who began working in 1971 and who, a few years later, signed her first work with Claude Chabrol to later see Godard, Sautet, Haneke or Cimino (she is the history of cinema) now presents the story true story of a doubly humiliated woman, first raped and then ignored. Nobody believed her when she told what happened. Her objective was to silence the trade unionist who denounced the secret agreements between the governments of France and China that involved the transfer of control of nuclear energy to the Asian country.
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