oaxacan Painter noé Jacinto Bridges Cultures with “Between Masks and Sounds”

Art becomes a bridge when it succeeds in transmitting the essence of a community. This is demonstrated by Oaxacan painter Noé Jacinto, who recently presented his solo exhibition Entre Máscaras y Sonidos in Philadelphia. Although he resides in Mexico, this interview with Impacto took place while the artist was in washington, D.C., coordinating his next exhibition at the Mexican Cultural Center. Regarding this new project, he noted: “I just had a meeting too plan my next solo exhibition here.”

An Exhibition Created in the United States

The show presented at the mexican Consulate in Philadelphia was conceived during a five-month stay in the country. The artist explained that the entire creative process happened in the U.S.:
“The exhibition was conceived and created in the United States. I lived here for five months and produced all the work for this collection.”
Inaugurated on August 6 and closing on October 28, the exhibition gathered 13 original paintings that reflect his identity and the cultural richness of his community, while also honoring the essence of the Día de los Muertos festivity.

Oaxaca as Inspiration

For Jacinto, this exhibition holds deep personal meaning. As he describes it:
“It was very meaningful as it speaks about Mexico,about Oaxaca – my state – and also about my town.”
The artist grew up surrounded by dance, music, and conventional celebrations, as his town is known for its vibrant carnival, a festivity that has shaped his life as childhood.
“Carnival is our greatest celebration. There is so much color, movement, and music. I have been a dancer since I was very young, and the kites are always present.”