Eduardo casanova (Madrid, 1991) has always walked the edge of provocation. At the age of 14, he played Fidel in the legendary series Aida, becoming the first gay teenage character on television.Later, he began his path as a director with ‘Skins’, a film where the protagonist had her ass in her face -literally-, which earned him the nickname enfant terrible of Spanish cinema. Now, ‘Silencio’ is premiering, a miniseries about vampires who speak with inclusive language and take antidepressants. He’s not so enfant anymore, but ‘Reading the Newspaper 20 minutes’ result as terrible as we are used to.
Last week was marked by November 25,International Day for the Elimination of violence against Women,when we remember that 38 women have been murdered at the hands of their partners or ex-partners so far in 2025 in spain. “I am sure that all of us who understand the feminist struggle are plagued by the patriarchy and misogyny with which we have been raised for centuries,” he comments on a “very complicated problem.” For Casanova, “a good way to start solving it is to abolish prostitution.”
In the audiovisual sector, this scourge is “very present,” he acknowledges. Precisely, as it says 20minutos, half of the calls received in the last year about sexist violence in the cultural sector come from cinema. “There is continuous talk about it and many figures have been added such as intimacy coordinators for nudity or sex scenes where in the past, or perhaps the present, there was a lot of violence. “But you have to keep working on it,it’s never enough.”
We open the health pages to comment on very positive news: Teenagers drink, smoke and take drugs less than ever, according to a recent survey by the Ministry of Health. To cite some data, daily tobacco consumption among minors between 14 and 18 years of age drops to 4.3%, the lowest since records began (1994). “It’s very curious, the other day I was thinking that I started working very early [interpretando a Fidel, un chico de 14 años en la mítica serie Aída] and I have never used drugs nor do I drink practically, but I have always felt very strange. I wish I were a teenager right now; I wouldn’t feel that way.”
Oh, my cell phone alarm is ringing… Let me explain: it warns me to take the anti-anxiety medication. Mental health must be made visible.
Álvaro Terán’s “Early Christmas” Caricature and Peculiar Collection Highlighted in Recent Interview
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Spanish artist and communicator Álvaro Terán recently discussed his latest caricature, “Early Christmas,” his feelings about the holiday season, and a rather unusual collection in an interview.The interview, available on Spotify and YouTube, offers insight into Terán’s critical outlook and eccentric hobbies.
A Grinch for the Modern Age: “Early Christmas”
Terán’s caricature, titled “Early Christmas,” depicts him embracing the persona of the Grinch, expressing a dislike for the commercialization and obligatory cheer associated with the holiday.He stated, “I come dressed in white, but I could perfectly wear green: I am The Grinch, I hate Christmas… I hate the obligation that we impose on ourselves to be happy.”
he further elaborated on his aversion, contrasting the religious meaning for believers with what he sees as a largely consumerist practice. Terán ironically noted the financial strain Christmas can impose, stating, “Then January comes and no one has any money. Really, I think there are many people who don’t like christmas and don’t know it.” This sentiment reflects a broader critique of the pressures and expectations surrounding the holiday season. Caricatures, historically, have served as a means of social and political commentary, particularly when direct criticism was restricted, and Terán’s work continues this tradition.
The Unusual Collection: A Room Full of dentures
The interview also touched upon a surprising aspect of Terán’s life: his collection of dentures. Responding to a past headline about the collection, Terán confirmed, “It’s true, I collect dentures.” He revealed that he has dedicated an entire room in his home to this unique hobby, having amassed the collection over the past five years.
Among his prized possessions is a set of dentures belonging to Fernando Estrella, a well-known figure in the Madrid cultural scene, which Terán inherited upon Estrella’s death. However, not all acquisitions are symbolic; Terán expressed an aesthetic recognition for teeth and fangs, even citing this as inspiration for his vampire-themed artwork. He jokingly described himself as “terrible as always,” highlighting his penchant for the macabre and unconventional.
This unusual hobby adds another layer to the artist’s already intriguing public persona, showcasing a blend of dark humor and artistic curiosity.
Looking Ahead
Álvaro terán continues to engage audiences with his sharp wit and thought-provoking art. His commentary on contemporary culture, combined with his eccentric interests, ensures his work remains relevant and captivating. Listeners and viewers can find more of his insights on Spotify and YouTube.