2024-01-25 06:48:00

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Tim Yip: I want to appear in front of everyone as a photographer

China News Service, Beijing, January 25th. A sharing session for Tim Yip’s new book “Gaze: My Photography and Life” was held recently. Author Jin Tim Yip, director Jia Zhangke, and artist Annaïse Martin gathered in Beijing to discuss topics such as photography, art, and life. Have a chat.

For most people, knowing Tim Yip is more about his outstanding achievements in film and stage art direction, costume design, etc. He won the Academy Award for “Best Art Director” for the movie “Crouching Tiger, Hidden Dragon” and was the first Chinese artist to win this honor. Since participating in the first movie “A Better Tomorrow” in 1986, he has served as a director for many projects. Art direction and costume design for movies, including the 2023 hit “Fengshen Part 1: Chao Ge Fengyun”.

However, few people know that Tim Yip is also an outstanding photographer. He has a professional background and graduated from the Advanced Photography Major in Practical Photography at the Hong Kong Polytechnic University. His artistic path can be said to have begun with photography, and the aesthetics formed in photography The concept has always been present in his film, stage creation and costume design. Over the past nearly forty years, Tim Yip has been keenly capturing various precious moments with his lens, whether on film sets or during his constant travels.

After massive accumulation, Yip Jintian made a staged summary of his ambitions for photography, his understanding of things and his views on time over the years, and selected 109 representative photography works from each period, accompanied by concise and friendly words. At the beginning of the new year of 2024, the first collection of autobiographical photography essays “Gaze: My Photography and Life” was published.

At the new book sharing meeting, Tim Yip expressed his love for photography and “hopes to appear in the public eye as a photographer.” He also displayed several representative photography works on site and shared the creative stories behind them. For example, he talked about his experience of shooting Maggie Cheung and how to use darkroom technology to splice two photos to express her unique temperament; he also shared his composition ideas for shooting a classic work of Leslie Cheung and Anita Mui – presenting three different spaces and characters. “dialogue” between them.

He also emphasized his photography philosophy, which is to create dynamic and multi-dimensional visual effects through mirroring and recombination; he also shared his photography methods and deep understanding of shooting portraits. He mentioned that when photographing a person, he would use his own memories and feelings to understand and analyze the person, in order to reveal the inner qualities of the person being photographed. He believes that photography is not only about capturing what you see, but also a process of self-exploration and expression.

Jia Zhangke expressed his appreciation for Ye Jintian’s photography, “His works will open up a magnetic field in us, allowing us to be attracted to another spiritual thing beyond the surface.” Jia Zhangke believes that these works are not only a reflection of reality. The record is an exploration of the depths of reality.

Anaïs Martin shared her thoughts on the new book with a woman’s delicate feelings. She said frankly that Tim Yip’s photography is like a dream and full of reality at the same time. Each photo is like a familiar yet unfamiliar memory. These works are not only about the skills and aesthetics of photography, but also about the profound expression of time and beauty.

As Tim Yip said in the postscript of his new book: “Every time I shoot, I will see the secret of time and my secret. You will see different things at different times. Images sometimes record the complex flow of things, including The changes in space and light and shadow at that time, I always hope not to repeat myself, turn everything into a keyword, and have different and vivid discoveries every time. Pressing the shutter face to face, what I get is the power of life, and Not the answer.”

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