Zerocalcare Addresses Labor Concerns Following Launch of ‘Due Spicci’

Italian cartoonist Zerocalcare, known for his socially conscious work and distinctive graphic storytelling, has publicly addressed recent allegations regarding the compensation of animation staff involved in his latest Netflix series, Due Spicci. The controversy, which emerged following anonymous reports, centers on claims that animators working on the production were underpaid.

The Creator’s Response

On Tuesday, June 2, 2026, the artist—whose legal name is Michele Rech—took to his Instagram account to clarify his role in the production process and respond to the criticism. Using his signature illustrative style, Zerocalcare emphasized that his involvement is strictly limited to the creative aspects of his projects.

“I am the author of the series, which means I handle the creative side: I write the story, draw the characters, and provide the voice-overs,” he explained in a video message. “I am not the one who hires, decides, or pays those who work on the production.”

Zerocalcare further clarified that he does not have access to the administrative or financial data regarding production contracts. He expressed regret that the staff members experiencing difficulties did not reach out to him directly, noting, “I am sorry that they didn’t think I could be an ally.”

Context of the Controversy

The allegations surfaced shortly after the premiere of Due Spicci on Netflix. As the project moved into the public sphere, anonymous reports suggested that the working conditions for the animation team did not meet fair compensation standards. This led to a wave of online discourse and public scrutiny directed at the production.

Zerocalcare, a prominent figure in the Italian comic scene since the release of his debut graphic novel The Armadillo Prophecy in 2011, has built a career often centered on themes of labor, social justice, and the struggles of everyday life. His work has previously been adapted into multiple Netflix series, including Tear Along the Dotted Line (2021) and This World Can’t Tear Me Down (2023).

Key Takeaways

• Role Clarification: Zerocalcare reiterated that his professional contribution is creative, not managerial. He does not oversee hiring, salary negotiations, or production budgeting.
• Lack of Direct Communication: The artist stated that he had not been approached by any staff members regarding these grievances prior to the public controversy.
• Platform for Response: The cartoonist chose to address the situation directly via social media to ensure his position was understood by his audience.

Moving Forward

The situation highlights the complex relationship between creators and the large-scale production studios that distribute their work. As the industry continues to evolve, the distinction between artistic vision and administrative responsibility remains a critical point of discussion for both creators and the labor force behind high-profile animated series. For now, Zerocalcare has made it clear that while he remains committed to his creative output, the operational decisions of the production houses involved in his series remain outside his professional scope.