The hot Madrid afternoon began with a minute of silence (finally real after so many inopportune cheers) in memory of Víctor Barrio. Seven years since that tragedy in Teruel that turned the upright Segovian bullfighter who took the alternative in Las Ventas into an immortal icon.
The name of Calita screeched on the sign. A few months after turning fourteen as an alternative, she with the whiff of filming in recent seasons in low-cost towns, without echo triumphs in her native Mexico. She removed all the prejudices that she brought up based on a sincere confirmation. Carat bullfighting with established delivery. She already demonstrated it with a first by Román Sorando who broke on his crutch to attack with nobility. She lacked a point of humiliation for the right python in several rounds well finished with passes from python chest to tail. More class he deployed on the left. Calita attached it with her leg in front, with commitment and a good stroke. There was a lack of final decorations that he changed for a batch that remained in no man’s land, very confrontational, yes. The lunge in the blondes complemented for the ear that the president did not dare to give.
He could have given it to the death of the room, since it was also requested as compensation for his serious afternoon. Neither did the president Iñaki Sanjuan want this time that he has been infected by the lack of judgment of other usías. There were plenty of arguments. In that room, which she accused the five years of her departure and had to remove the vibrant attack with a corkscrew, Calita demonstrated a trade forged in a thousand battles. He did not lose his composure in a fiber slaughter pulling the bull with tension. He surrendered the bull to the Mexican subjugation that revealed himself as a sure matador with another effective lunge – this time somewhat detached – of correct execution.
Calita declared himself through his performance as a serious bullfighter, who came to Madrid to surrender with fundamental bullfighting arguments. A surprise that asks for passage.
David de Miranda opted for the immense sixth in a heart attack start with a very tight pass changed from behind. For the right piton there were two emotional series, combining the humiliation of the bull with the firmness of Huelva. On the left it was more lackluster but De Miranda was not intimidated in a toned fretting that ended with ballerinas. The lunge had an effect. He asked for his ear – not granted – he took a walk around the ring. Before, he solved with the third that stopped too early.