Chalk: Belfast’s Crystalpunk Duo Forging a Unique Sound

In Belfast’s Kelly’s Cellars, a pub established in 1720, Ross Cullen and Benedict Goddard, the duo known as Chalk, discussed their musical journey.¹² Formed while studying film at university, Chalk has spent five years developing a live reveal that blends electronic and punk influences, drawing comparisons to Underworld, Nine Inch Nails, Stiff Little Fingers and David Holmes.⁴

The Genesis of Crystalpunk

Chalk’s debut album, Crystalpunk, follows a trilogy of EPs titled Conditions. Goddard describes “crystal” as representing both the beauty and destructive potential of electronic music, a concept that ultimately defined the album’s sound.⁴

Navigating Identity in a Post-Troubles Belfast

Chalk’s music is deeply rooted in the complexities of post-Troubles Belfast. Goddard, with a mixed Irish and English heritage, reflects on the challenges of defining his identity, stating, “What was my identity the whole time?” Cullen echoes this sentiment, noting, “There’s no flag for people like us,” and explaining that their music is an attempt to create their own identity.⁴

Cullen, raised in a mixed-religion family, speaks to the lingering trauma and “impostor syndrome” that can affect those with divided backgrounds. The album serves as a “footnote” acknowledging these experiences and advocating for unity.⁴

Local Influences and Artistic Expression

The album incorporates local details, such as the track “Skem,” inspired by graffiti seen on trains. Cullen describes the inspiration as capturing a fleeting moment for a commuter.⁴

The refrain “shoulder to shoulder” from the song “Béal Feirste” (the Irish name for Belfast) is drawn from Ireland’s Call, the all-island rugby anthem, symbolizing cross-community unity. Cullen recounts a childhood tradition of listening to Chumbawamba’s “Tubthumping” before rugby practice, prompting a reflection on why sport has been more successful at fostering unity than politics.⁴

Confrontation and Self-Discovery

The music video for “IDC” features Cullen wearing a full-face leather mask, representing the tension between artistic expression and personal vulnerability. Cullen describes the songs as a way to revisit and process past experiences of feeling like an outsider.⁴

Looking Ahead

Following performances at SXSW and a North American tour, Chalk completed a European tour in May, returning to their home base of Belfast. Goddard emphasizes the city’s strong DIY culture and its ability to “over-index” culturally. Cullen expresses a desire to contribute to the future of Belfast’s music scene.⁴