Elegance, strength and Mediterranean passion: three words that contain the essence of Francesco Annarumma, Neapolitan dancer and choreographer who continues to be talked about in the international dance scene. His career, built with dedication and talent, has recently reached a new and important milestone: the “The Hundred Steps” Award received together with big names in the art scene such as Luciano Cannito, Annamaria Galeotti and many other protagonists from the world of entertainment and culture.

An award that celebrates not only the artistic excellence, but also the commitment and sensitivity of Annarumma, an artist capable of blending technique and emotion in each of his creations.

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Francesco Annarumma has danced leading roles in important productions, including the Prince of “Sleeping Beauty,” touring prestigious theaters in China and Houston. He has collaborated with internationally renowned choreographers such as Jo Stromgen, Jacopo Godani, Toni Rizzi, Georg Reischl, Emanuel Soavi, and performed William forsythe’s acclaimed “One Flat Thing Reproduced.”

During his career, Annarumma also participated in the Houston Festival, performing works by Godani and Marguerite Donlan, and the Minutemade projects, collaborating with Marco Goecke, Emanuel Gat, Alexander Ekman, Cayetano Soto, Roberto Zappalà, and others.

Beyond his work as a dancer,Francesco has established himself as a choreographer. His creations have been performed by the dancers of the Gärtnerplatztheater, receiving both public and critical acclaim. He was selected as a seasonal choreographer for the Petruzzelli Theater in Bari, choreographing Giuseppe Verdi’s “Il Trovatore,” and debuted at the Staatstheater of magdeburg in 2019 with his creation, “Strange Creature.”

A New Production and Prestigious Recognition for Choreographer

The choreographer expressed immense joy upon learning that their production with the Opera Ballet has officially become a staple in the company’s repertoire. “It’s a grate joy,” thay stated, “My production with the Ballet has become a stable part of the repertoire, so it will remain on the bill for two years. Furthermore, they have already offered me a new production: an entire evening. I’m really happy, it’s enormously satisfying.”

Recently, the choreographer was also honored with the Cento Passi Award, adding to a growing list of accolades including the Capri Award, Emerge Choreographer, Dance Excellence, and the Sabaudia Dance Festival award. Reflecting on this new milestone,they shared,”Sometimes I fail for words. I am happy, of course, but above all honoured. Receiving an award means that someone recognizes your work, your dedication.”

“Yes, I entered the English National Ballet School thanks to maestro Michele Pogliani, to whom I will always be grateful. It was he who noticed me at a very young age and told me: “You have to go to London, you’re the right guy for the english National Ballet.” I took part in a competition in Castiglioncello, won first prize and obtained a full scholarship. London was my first real artistic home.”

Then he moved to the Ballet School of the Teatro alla Scala in Milan, and subsequently to Monte Carlo. What was the audition like at the time and how much has the way of entering dance schools changed today?

“It has changed a lot. Today everything is more immediate: a young person can record a video, send it to a school, be noticed online or during an internship. Not in my day.They waited for the letter at home, or the result outside the door, and it seemed as if the postman never arrived! We didn’t have telephones, nor the possibility of showing our work. But, I must say, everything was more authentic. At La Scala in Milan, with the director Anna Maria Prina, I lived intense years.I had an excellent relationship with her and with master Nikonov.Unfortunately,dOf all the choreographies you have created,which are the three you are moast attached to?

“The first is il Trovatore,which I choreographed for the Petruzzelli Theater in Bari. It was my first major production, directed by director joseph and maestro Renato Palumbo of La Scala in milan.

The second is Core, created for the Tanz Akademie in Zurich: it tells of the youth, energy and beauty of the group. It is indeed a tribute to the students, to their purity and passion. The third is Act 2, created for the Ballet School of the teatro dell’Opera di Roma.A work that I love deeply and that I have now been lucky enough to put back on stage.”

A Dancer Reflects on Mentorship

Three figures profoundly shaped my artistic journey. First,there’s Manuel Legris,who gave me my first chance. He believed in me from the start, and that initial trust was invaluable.

The second is Carl Alfred Schneider, my director.he pushed me to grow artistically, challenging me to reach new heights. His guidance was essential to my development.

there’s Eleonora Abbagnato. She’s not just an artist,but a woman who welcomed me with genuine sincerity and trust. I share a deep and meaningful relationship with her.