Liepāja Symphony Orchestra Concludes 145th Season with Notable Premiere
The Liepāja Symphony Orchestra marked the conclusion of its 145th season on May 29, 2026, with a performance that bridged the gap between historical masterworks and contemporary composition. The evening, documented by Latvijas Radio, offered audiences a diverse program designed to showcase both technical virtuosity and the evolution of orchestral music.
A Program of Contrast and Innovation
The concert was structured in two distinct halves, highlighting different eras and styles of classical music. The first portion of the program leaned into atmospheric and modern textures, beginning with the evocative “Walk to the Garden of Eden” by English composer Frederick Delius (1862–1934).

The contemporary focus of the evening was anchored by the world premiere of the “Southern Concerto,” composed by Andris Dzenītis (born 1978). The piece, written for metal percussion instruments and orchestra, featured a solo performance by Guntars Freibergs, whose virtuosic execution served as a centerpiece for the new work.
Returning to the Romantic Tradition
Following the modern explorations of the first half, the orchestra shifted its focus to the Romantic era for the program’s conclusion. The second half of the evening was dedicated to Johannes Brahms’s (1833–1897) First Symphony. The performance of this work provided a sense of historical continuity, as the symphony is known for its long gestation period, having been begun during the composer’s youth but not premiered until his mature years.
Key Takeaways from the Season Finale
- Event Date: The concert took place on May 29, 2026.
- Featured Premiere: The program included the world premiere of “Southern Concerto” by Andris Dzenītis.
- Soloist: Percussionist Guntars Freibergs performed the solo for the Dzenītis premiere.
- Classical Anchor: The concert concluded with Johannes Brahms’s First Symphony.
Looking Ahead
The successful closing of the 145th season underscores the Liepāja Symphony Orchestra’s ongoing commitment to balancing the standard orchestral repertoire with the promotion of new, experimental music. By pairing the established symphonic structures of Brahms with the innovative percussion-heavy compositions of Dzenītis, the orchestra continues to serve as a vital cultural institution, engaging both traditionalists and those interested in the future of contemporary music.
As the orchestra looks toward its next season, the reception of these performances—particularly the new concerto—will likely influence the programming strategies for the upcoming year, ensuring that the ensemble remains at the forefront of the Baltic classical music scene.