Mark Duplass Vindicates Young Director Kane Parsons Amid Backrooms Controversy

Mark Duplass has publicly defended 20-year-old filmmaker Kane Parsons against allegations that the latter did not independently direct the A24 horror film Backrooms, which is set for a May 29 theatrical release. The controversy emerged after social media users questioned Parsons’ creative control, citing his youth and the film’s high-profile production.

Duplass Asserts Parsons’ Creative Authority

In an Instagram video, Duplass, who stars in the film alongside Chiwetel Ejiofor and Renate Reinsve, stated, “Kane was 100% in control. More so than many directors 3x his age.” He emphasized that his own presence on set was tied to his role as a mentor to emerging filmmakers, not as a substitute for Parsons’ direction.

“He spent the last five years of his life building out one of the most detailed mythologies I’ve ever been a part of,” Duplass added, highlighting Parsons’ prior work on the Backrooms concept through YouTube videos and 3D software like Blender. The film’s screenplay was written by Will Soodik, based on Parsons’ earlier creations.

Context Behind the Controversy

The debate began after Parsons, at 19, became A24’s youngest director to date. Critics speculated that the studio would not entrust such a project without oversight. However, Duplass countered, “For those of you who have all these thoughts, were you there?”

Backrooms has generated buzz with projected domestic box office earnings of $40–$50 million, though exact figures remain unconfirmed. The film’s production team, including its director of photography and crew, reportedly collaborated closely with Parsons, who Duplass described as “sensitive, calm, and smart” in working with actors.

Parsons’ Background and Vision

Before A24’s involvement, Parsons had already established a following for his Backrooms-themed content. His YouTube channel, Kane Pixels, featured found-footage short films that expanded the lore of the liminal space phenomenon. This groundwork, Duplass noted, made Parsons “intensely prepared” for his feature debut.

The film’s release comes amid growing interest in A24’s horror slate, which includes titles like Hereditary and It Follows. Parsons’ achievement has sparked discussions about opportunities for young filmmakers in the industry.

Looking Ahead

As Backrooms prepares for its theatrical rollout, the controversy underscores broader conversations about creative authority and studio support for emerging talent. Duplass’ endorsement adds credibility to Parsons’ directorial vision, but the film’s critical and commercial reception will ultimately define its legacy.