Matis budovskis: The Collaborative Spirit of Directing and the Power of Objects

Latvian director Matis Budovskis, known for his work at the National Theater of Latvia, emphasizes the importance of collaboration between director and actor, and a unique sensitivity too the stories objects can tell. His approach, rooted in a background that blends puppetry with playwriting and directing, prioritizes a dynamic exchange of ideas and a deep respect for the artistic process.

The Director-Actor Relationship: A Symbiotic Exchange

Budovskis firmly believes that a successful production hinges on a collaborative relationship between the director and the actors.He rejects the notion that the director holds a position of greater importance, stating that such a mindset can stifle the creative process. “More important? I think definitely not,” he asserts. “Probably, if you start work with such a feeling, then at some point the process may get stuck. Because an actor is also a living person who wants to be useful like all of us.” He views the ideal dynamic as one of mutual inspiration, where both parties contribute to the final performance.

Early Success and a “Miraculous” Debut

Budovskis experienced this collaborative energy firsthand during his directorial debut with Andras Kalnozola’s play, “The Mosquito” at the national theatre. He described the experience as a “miraculous” one, marked by a particularly positive working environment with actors Raimonds Celms, Kārlis Reijers, Laura Siliņa, and ieva Aniņa. He attributes this success to the actors’ dedication and willingness to fully engage with the work.

A Shared Artistic Lineage: Puppetry and Playwriting

Budovskis’s artistic journey is marked by a unique connection to playwright Andri Kalnozols. Both graduated from the puppetry course at the latvian Academy of Culture, a shared experience that fostered a creative kinship. He recalls meeting Kalnozols through a summer theater festival where course leader Đirta Šoli sought out young puppeteers, describing the program’s graduates as possessing a distinctive and “a little weirder” outlook. This shared background informs their creative processes and allows for a unique understanding in their collaborations.

The Meaning of Objects and Personal History

Budovskis’s background in puppetry has instilled in him a profound thankfulness for the power of objects and their ability to carry memory and meaning. He describes how everyday items, like his great-grandmother’s glasses, hold a wealth of personal history and evoke powerful emotions. This sensitivity to the symbolic weight of objects informs his directorial choices and adds layers of depth to his productions.

Exploring Complex Themes in “The Mosquito”

“The Mosquito,” Kalnozols’ play, delves into complex themes of identity, societal pressures, and the search for meaning. While Budovskis acknowledges the play touches upon a “human crisis” and the challenges faced by individuals in their thirties, he also emphasizes its broader resonance. He notes that the play explores feelings of alienation and the potential for self-destructive coping mechanisms, such as addiction, resonating with a wide audience.

The Importance of Humor and Artistic Freedom

Budovskis praises Kalnozols’s writing for its sharp wit and ability to offer unexpected perspectives on serious subjects. He highlights the importance of allowing the play’s humor to shine through, while also maintaining a respectful approach to the playwright’s vision. He emphasizes the need for directors to avoid imposing their own interpretations and to allow the actors to connect with the text authentically.

Collaboration and the Role of the Playwright

Budovskis’s own experience as a playwright,having earned a master’s degree in writing from the University of Liepāja,informs his directorial approach. He values collaboration with playwrights, as demonstrated in his work with Klāvs Mellis on “Rītasmu Vakaros.” However, he also recognizes the distinct roles of playwright and director, emphasizing that each brings unique strengths to the creative process.He believes that a successful production requires a balance between creative input and a clear understanding of each role’s responsibilities.

The National Theatre and the Future of Latvian Drama

Budovskis expresses strong support for the National Theatre of Latvia‘s current focus on staging works by Latvian authors. He believes this commitment is crucial for fostering a vibrant national theater scene and providing opportunities for emerging playwrights and directors. He also acknowledges the importance of providing a platform for young directors to develop their skills and contribute to the future of Latvian theater.

Influences and Future Directions

Budovskis credits his mentor, Elmārs Senkovs, with instilling in him a sense of artistic freedom and encouraging him to embrace experimentation. He describes Senkovs’s approach as one of allowing creative impulses to flow organically, without imposing rigid constraints. Looking ahead, Budovskis is currently in talks about future directing projects, while also acknowledging a growing desire to focus less on acting and more on directing and playwriting.