Sanremo 2026 Controversy: Criticism of Sal Da Vinci’s Win Sparks Debate

The victory of Sal Da Vinci’s song “Per Sempre Sì” at the 2026 Sanremo Music Festival has ignited a public debate, fueled by criticism from Corriere della Sera’s deputy editor, Aldo Cazzullo. Cazzullo characterized the winning song as being “suitable for a Camorra wedding,” prompting a strong response from political figures and artists alike.

Criticism and Accusations of Prejudice

Aldo Cazzullo’s comments have been widely criticized as prejudiced and demonstrating a lack of understanding of Neapolitan culture. Former Mayor of Naples, Luigi de Magistris, vehemently defended Da Vinci’s song, labeling Cazzullo’s assessment as “a judgment based on prejudice, on a lack of knowledge of the city of Naples.” Source

De Magistris further argued that the criticism echoes past instances of bias against Neapolitan artists, referencing similar reactions to Geolier’s participation in the festival. He invoked lyrics from Pino Daniele’s “Napul è,” suggesting a disconnect between outsiders’ perceptions and the reality of Naples. Source

Defense of Neapolitan Identity and Artistic Expression

De Magistris emphasized that the song resonated with Neapolitans because it authentically reflects the passion, contradictions, and complexities of their culture. He stated that Neapolitans do not seek a “glossy image” of their city, but rather embrace its raw and theatrical nature. Source

Comedian Alessandro Siani also weighed in on the controversy, questioning whether the criticism would have arisen had a non-Neapolitan artist won the competition. He argued that Neapolitan music is often dismissed as mere folklore when it originates from Naples, while similar expressions are celebrated elsewhere. Siani highlighted the historical significance of Neapolitan song as a form of collective storytelling and emotional expression. Source

Cazzullo’s Justification and Public Reaction

In response to the backlash, Cazzullo defended his critique, stating that his intention was not to attack the Neapolitan people but to express his personal aesthetic judgment. He compared Da Vinci’s song to the function of Checco Zalone, suggesting it lacked the artistic depth of classic Neapolitan songs like “Nel blu dipinto di blu.” Source

Despite the criticism, Sal Da Vinci’s song received a standing ovation at the Sanremo Festival, and the singer has enjoyed a successful career transitioning from song to theater. Source