THEBLACKLABEL’s new co-ed group ALLDAY PROJECT’s debut track “FAMOUS” moves up 42 spots to take over as the new No. 1 song this week. Congratulations to ALLDAY PROJECT!
“FAMOUS” is one of the double title songs from ALLDAY PROJECT’s debut single of the same name. “FAMOUS” is a hip hop song with lyrics expressing the confidence and ambition of the members who are not “famous” but already in the spotlight.Last week’s champion, ILLIT’s “Do the Dance,” drops one spot to No. 2. Holding steady at No. 3 is IU’s “Never Ending Story.”
Two more songs newly entered the top 10 this week.
Debuting at No. 5 is aespa’s “Dirty Work.” A dance song characterized by its captivating synth bass sounds and cool vocal melody, “Dirty Work” expresses aespa’s resolve to dominate and tackle challenges that come their way.
fromis_9’s “LIKE YOU BETTER” debuts at No. 10. The title tr
3
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Never Ending Story
- Chart Info
- 3 Previous rank
- 5 number of week on chart5
Dirty Work
Chart Info
Previous rank: 0
Number of week on chart: 1
Peak on chart: 56
Starting With YouPeak on chartCurrent Trends in K-Pop and global Music Charts
The music landscape is constantly shifting, with new artists and tracks vying for chart dominance. This report analyzes recent movements within the top 20 songs, highlighting both rising stars and established acts. As of July 9, 2025, several key trends are emerging, reflecting evolving listener preferences and the increasing globalization of music.
Chart Performance Overview
The chart reveals a dynamic mix of established K-Pop groups and emerging artists. Several songs demonstrate significant movement, both positive and negative, indicating fluctuating popularity. Notably, newer releases are making a strong impact, while some previously high-ranking tracks are experiencing a decline.
Notable movers and Shakers
Significant Declines: Several songs have experienced a drop in ranking this week. SEVENTEEN’s “THUNDER” fell six places to number 11, while WOODZ’s “Drowning” dropped four positions to 13th. LE SSERAFIM’s “HOT” and G-Dragon’s collaboration with Anderson .Paak, “TOO BAD,” both moved down two spots, landing at 18th and 19th respectively. These shifts could be attributed to the release of competing tracks or changing listener tastes.
Steady Performers: ZO ZAZZ’s “모르시나요 (Don’t you no) maintained its position at number 12, demonstrating consistent appeal. IVE’s “REBEL HEART” also held relatively steady, decreasing only two places to 17th.
New Entrants: Hearts2Hearts’ “STYLE” and CRAVITY’s “SET NET G0?!” both debuted at number 15 and 16, respectively, showcasing the impact of fresh releases. These new entries suggest a strong reception from fans and a accomplished launch strategy.
Artist Spotlight
The chart features a diverse range of artists, including:
SEVENTEEN: Continuing to be a major force in K-Pop, despite a recent dip in chart position.
ZO ZAZZ: Demonstrating sustained popularity with a consistent chart presence.
WOODZ: Maintaining a strong following, even with a slight decline in ranking.
Woody: Holding steady with “ì-´ì œë³´ë‹¤ 슬픈 오늘 (Sadder Than Yesterday).”
Hearts2Hearts & CRAVITY: Emerging artists making a notable impact with their new releases. IVE & LE SSERAFIM: Established groups continuing to perform well.
* G-Dragon: A veteran artist still captivating audiences with innovative collaborations.Broader Industry Context
The K-pop industry continues its global expansion,with groups like SEVENTEEN and IVE gaining international recognition. According to recent reports from the Korea Creative Content Agency (KOCCA), K-pop exports reached a record high of $9.5 billion in 2024,demonstrating the genre’s growing economic influence. [[1]] This success is driven by strategic marketing, engaging content, and a dedicated fanbase.The rise of platforms like TikTok and YouTube has also played a crucial role in amplifying K-Pop’s reach. [[2]]
Moreover, collaborations with international artists, such as G-Dragon’s track featuring Anderson .Paak, are becoming increasingly common, broadening the appeal of K-Pop and fostering cross-cultural exchange. [[3]]
Chart Ranking – Top 20 (July 9, 2025)
| Rank | Song Title | Artist/Band | Weekly Change |
|——|——————————————|——————-|—————|
| 11 | THUNDER | SEVENTEEN | -6 |
| 12 | 모르시나요 (Don’t you know) | ZO ZAZZ | – |
| 13 | Drowning | WOODZ | -4 |
| 14 | ì-´ì œë³´ë‹¤ 슬픈 오늘 (Sadder Than Yesterday) | Woody | -1 |
| 15 | STYLE | Hearts2Hearts | New |
| 16 | SET NET G0?! | CRAVITY | new |
| 17 | REBEL HEART | IVE | -2 |
| 18 | HOT | LE SSERAFIM | -2 |
| 19 | TOO BAD (feat. Anderson .paak) | G-Dragon | -5 |
| 20 | 나는 ë°˜ë”§ë¶ | | -2 |Current K-Pop Chart Highlights: A Mid-2025 Snapshot
The K-Pop landscape is ever-evolving, with new releases and shifting fan preferences constantly reshaping the charts. As of mid-2025, several tracks are demonstrating remarkable staying power and gaining significant momentum. This overview details the current top 32 songs, reflecting a blend of established artists and rising stars.Top 20: Consistent performers & Rising Favorites
Leading the charge is Hwang Karam with “I’m Firefly,” maintaining a strong position. Close behind, KISS OF LIFE’s “Lips Hips Kiss” continues to resonate with audiences. OVAN’s “Flower” demonstrates enduring appeal, while ENHYPEN’s “Bad Desire (With or Without You)” has seen a notable surge in popularity.
Lee Yeeun, ashatree, and Jeon Gunho’s collaborative effort, “MY LOVE (2025),” is proving to be a summer anthem. ITZY’s “girls Will Be Girls” remains a firm favorite, showcasing the group’s dynamic energy. Lee Mujin’s “ì²ì¶˜ë§Œí™” (Coming Of Age Story) continues to captivate listeners with its poignant narrative.
New entries are also making waves. POW’s “ë‹¤ì •í•´ì§€ëŠ” 법 (Being Tender)” and H1-KEY’s “ì-¬ë¦„ì ´ì-ˆë‹¤ (Summer Was You)” have both debuted within the top 30, indicating strong initial reception.Positions 21-32: Emerging Trends & Notable Movements
BABYMONSTER’s “DRIP” is steadily climbing the charts, fueled by viral dance challenges on social media platforms like TikTok – a trend that now accounts for approximately 35% of song discovery in the K-Pop genre [[1]]. RIIZE’s “Fly Up,” despite a recent dip, remains a popular choice. Rosé’s “toxic till the end” continues to attract a dedicated fanbase.
Further down the list, I DO ME by an unknown artist is gaining traction, demonstrating the power of organic growth within the K-Pop community. The chart also reflects the diversity of the genre, with tracks like “Being Tender” and “Summer Was You” offering unique sonic experiences.
Chart dynamics & Future outlook
The chart reveals a dynamic interplay between established acts and emerging artists. The consistent presence of artists like Hwang Karam and ITZY highlights their enduring appeal, while the rapid ascent of newer releases like POW’s and H1-KEY’s demonstrates the constant influx of fresh talent.
The K-Pop industry is projected to continue its global expansion, with streaming services playing an increasingly vital role in song discovery and chart performance. As of 2025, streaming now accounts for over 80% of music consumption globally [[2]], and this trend is expected to continue. The coming months promise further shifts and surprises as new releases compete for a place in the hearts of K-Pop fans worldwide.
- HAPPY – DAY6
- BEEP – izna
- 만년설 (Everlasting) – N.Flying
- Shall We Dance – Yugyeom
- 내게 사랑이 뭐냐고 물어본다면 (If You Ask Me What Love Is) – Roy Kim
Decoding K-Pop Success: A multi-Platform Performance Analysis
The landscape of K-Pop success is no longer solely defined by album sales. Today, a extensive understanding of an artist’s performance across a diverse range of platforms is crucial for gauging true impact and popularity. This analysis breaks down the key metrics used to evaluate a K-pop release,revealing how different components contribute to overall success.
The Pillars of K-Pop Charting
Several key areas now dictate how well a K-Pop song or album performs. These aren’t isolated measurements; rather, they represent interconnected facets of an artist’s reach and engagement. Let’s examine the weighting typically applied to these crucial indicators:
Physical Sales – Circle & Hanteo (50% Combined): While digital consumption is soaring, physical album sales remain a significant indicator of dedicated fandom strength. Circle Chart (formerly Gaon Chart) and Hanteo Chart are the primary sources for tracking these sales. In 2024, groups like SEVENTEEN consistently topped physical sales charts with albums exceeding 2 million copies sold, demonstrating the continued importance of this metric. Combined, these charts account for 50% of the overall evaluation (Circle: 30%, Hanteo: 20%).
Global Streaming Power – Spotify Weekly Chart (15%): Spotify has become a global gateway for K-Pop, and performance on its weekly charts is a vital sign of international appeal. A strong showing indicates widespread listenership beyond Korea.For example, groups like BTS and BLACKPINK regularly dominate Spotify’s global charts, influencing their overall score.
Radio & Broadcast Reach – Soompi Airplay (15%): Airplay on Korean radio stations and inclusion in popular television programs (like music shows) still hold considerable weight, especially within the domestic market. Soompi Airplay provides a valuable metric for tracking this exposure.
Visual Engagement – YouTube K-Pop Dominance (20%): YouTube is a powerhouse for K-Pop, serving as a primary platform for music video releases and performance content. Views,likes,and engagement on both official music videos and user-generated content contribute considerably to an artist’s profile. Groups like stray Kids frequently leverage YouTube’s Shorts feature to drive engagement and visibility.Beyond the Numbers: A Holistic View
It’s important to recognize that these metrics aren’t simply added together. They represent a complex interplay of factors. For instance, strong physical sales can often drive increased Spotify streams as fans purchase albums and then explore the music on streaming platforms. Similarly, viral moments on YouTube can translate into increased radio play and chart performance.
Current Chart Snippets (July 9, 2025)
Here’s a snapshot of recent chart activity, illustrating the dynamic nature of K-Pop rankings:
| Rank | Title | Artist |
|—|—|—|
| 45 | I’M SO SORRY, BUT I LOVE YOU | BE BOYS |
| 46 | Good Thing | (G)I-DLE |These rankings, while specific to a single date, highlight the competitive habitat and the constant shifting of positions within the K-Pop sphere. Kang Daniel continues to maintain a strong presence,demonstrating consistent appeal to his fanbase.
The Future of K-Pop Evaluation
As the industry evolves, the weighting of these metrics may shift. The rise of platforms like TikTok and the increasing importance of global fan communities will likely necessitate a more nuanced evaluation system. However, the core principle remains the same: a successful K-Pop artist must excel across multiple platforms to achieve lasting recognition and impact.