Review Roundup: A24’s ‘The Death of Robin Hood’ Receives Mixed Critical Response

A24’s R-rated period drama *The Death of Robin Hood*, directed by Michael Sarnoski, has drawn mixed reviews ahead of its theatrical release. The film, which reimagines the Robin Hood legend through a gritty, character-driven lens, holds a 65% critics’ score and a 6.7/10 average on Rotten Tomatoes, with a 62/100 rating on Metacritic. Hugh Jackman stars as an aging, battle-worn Robin Hood grappling with his violent past, according to multiple reports.

What Is ‘The Death of Robin Hood’ About?

The film presents a “grounded, visceral and darker reimagining” of the classic Robin Hood tale, focusing on an older title character who seeks redemption after a life of crime and murder. The story follows him as he is gravely injured and taken in by a mysterious woman who offers him a chance at salvation, per Variety. The project marks Sarnoski’s follow-up to his 2021 film *Pig*, which earned critical acclaim for its introspective storytelling.

How Did Critics Respond?

Critics offered varied assessments of the film’s narrative and execution. William Bibbiani of *The Wrap* called it a “mature work” with “excellent lead performance” from Jackman, though he noted it “isn’t deep enough or captivating enough” to match Sarnoski’s earlier work. Meagan Navarro of *Bloody Disgusting* praised its “shocking violence and poignant introspection,” describing it as “a deeply affecting story of meeting death on your own terms.”

Conversely, Tim Grierson of *Screen* criticized the film for “suffocating” its story with an overemphasis on gravitas, while Frank Scheck of *The Hollywood Reporter* called it a “tedious slog” that left viewers wishing the protagonist “would die a quicker death.” Despite these critiques, several reviewers highlighted the film’s visual and thematic ambition. Guy Lodge of *Variety* noted its “rooted, hessian-rough vividness” and “earnest, complex preoccupation with matters of the soul.”

Why Does the Film Matter in the Context of A24’s Catalog?

As A24’s first R-rated film since 2022’s *The Worst Person in the World*, *The Death of Robin Hood* represents a shift in the indie studio’s output, which has historically leaned toward more accessible, genre-blending projects. Sarnoski’s film, however, aligns with A24’s reputation for supporting auteur-driven narratives, as seen in previous releases like *Everything Everywhere All At Once* and *The Power of the Dog*. The project’s critical reception could influence how the studio balances risk and accessibility in future ventures.

What’s Next for the Film?

The 123-minute film is set to open in cinemas next Friday. Its mixed reviews may impact box-office performance, though A24 has historically maintained strong audience engagement for its releases. The studio has not yet commented on the critical response, but the film’s unique take on a classic myth could spark conversations about reimagining folklore in modern cinema.