Aldo Cazzullo’s Criticism of Sal Da Vinci’s Sanremo Win Sparks Debate

The victory of Sal Da Vinci at the 2026 Sanremo Festival with “Per sempre sì” continues to generate controversy, ignited by sharp criticism from Aldo Cazzullo, deputy director of Corriere della Sera. Cazzullo’s assessment of the winning song has sparked a national debate, touching on themes of musical taste, regional stereotypes, and Italy’s cultural landscape.

Cazzullo’s Critique: A Song for a Camorra Wedding?

Responding to a reader’s inquiry, Cazzullo delivered a scathing review of “Per sempre sì,” calling it “the ugliest song in the history of the Festival.” He contrasted it unfavorably with Domenico Modugno’s iconic “Nel blu dipinto di blu,” highlighting what he perceived as a lack of artistic merit and cultural significance in Da Vinci’s work. The most contentious part of his critique likened the song to the potential soundtrack for a Camorra wedding, or a parody song in the style of Checco Zalone.

Social Media Backlash and Accusations of Prejudice

Cazzullo’s comments quickly ignited a firestorm on social media. Many defended Sal Da Vinci, pointing to the song’s widespread popularity and radio play. However, the comparison to the Camorra drew the strongest criticism, with some accusing Cazzullo of perpetuating negative stereotypes about Southern Italy. Writer Maurizio De Giovanni ironically questioned how many Camorra weddings Cazzullo had attended to produce such a judgment.

Television Debate and Further Clarification

The controversy extended to television, discussed on Rai 1’s The Decent Time. Presenter Caterina Balivo voiced her support for Da Vinci, criticizing Cazzullo’s comparison. Cazzullo, in turn, reiterated his artistic opinion while emphasizing his appreciation for the broader Neapolitan musical tradition, citing artists like Pino Daniele, Edoardo Bennato, and Renzo Arbore.

Continued Success for “Per Sempre Sì”

Despite the criticism, “Per sempre sì” continues to perform well. It remains among the most streamed songs from the 2026 Sanremo Festival, even gaining international attention on platforms like Spotify. On March 11th, Sal Da Vinci is scheduled to receive the City Medal of Naples from Mayor Gaetano Manfredi.

Cazzullo Expands on His Position

In further commentary, Cazzullo clarified his position, stating that Sal Da Vinci represents a Naples that those who dislike the city expect and aim for. He expressed a preference for the Neapolitan tradition exemplified by artists like Renzo Arbore, Pino Daniele, and Nino D’Angelo, finding their work more original and universally appealing. He contrasted this with what he sees as a sentimental and emphatic style in Da Vinci’s music.

A Broader Reflection on Italian Culture

Cazzullo’s critique extends beyond the song itself, offering a commentary on contemporary Italian culture. He suggests a sense that “anyone can do anything” in modern Italy, referencing examples like coaching the national football team or winning Sanremo, implying a decline in standards.