Music and AI Converge in New Brno Exhibitions
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Visitors to the Pražák Palace in brno can now view an exhibition of the works of graphic artist Květoslava Fulierová, for whom music is a central theme. Simultaneously, the palace hosts a new intervention within its permanent exhibition, created by painter and performer Vladimír Havlík, who experiments with artificial intelligence. Both projects, curated by the Moravian Gallery, will be on display until February 22, 2026.
Curator Peter Ingerle explains that selecting both artists was a natural fit.”In the case of Vladimír Havlík, there was nothing to solve, because he is a laureate of the Michal Ranné Awards, which we present regularly. The choice fell on Květoslava Fulierová because she graduated from the Brno Higher School of Art Industry, which is celebrating its 100th anniversary this year,” he says, also noting another exhibition in the city dedicated to the school’s milestone.
Fulierová’s exhibition, titled “Scores,” features installations, drawings, collages, and photographs all inspired by musical motifs. The ninety-three-year-old Slovak artist, born in Olomouc, was once a violinist and taught in several Moravian chamber ensembles.An injury ultimately ended her musical career, leading her to dedicate herself fully to visual arts.
“reproducing musical feelings in shapes and colors, in drawings and graphics was my central effort. Especially after I could no longer devote myself to music,” Fulierová explains,revealing her inspiration from the geometry of musical notations,and particularly,rythm,harmony,and melody.
Some of her works serve as tributes to composers ranging from Johann Sebastian Bach to John Cage, while others are inspired by nature or space, existing independently of specific musical patterns.
Artist Vladimír Havlík on AI: A Helper and a Potential Threat
Vladimír Havlík, a Czech artist known for his work in land art and body art, views artificial intelligence with a complex perspective – recognizing its potential as a creative tool while also acknowledging the possibility of it displacing human artists. Havlík,the 2023 laureate of the michal Ranné Prize awarded by the Moravian Gallery,shared his thoughts on AI’s impact on the art world,expressing both fascination and concern.
Havlík’s Perspective on AI in Art
Havlík describes a duality in his feelings towards AI, stating, “There are times when I’m fascinated by what he can do, and then he scares me because I realize that he can replace us. That’s why I try to perceive both spectrums of opinion.” https://www.radio.cz/en/section/arts/vladimir-havlik-on-ai-a-helper-and-a-potential-threat This sentiment reflects a growing debate within the artistic community regarding the role of AI in creative processes.
The Michal Ranné Prize and Moravian Gallery
the Michal Ranné Prize, awarded by the Moravian Gallery in Brno, Czech Republic, recognizes artists whose work the gallery wishes to highlight. Unlike many art awards, the Michal Ranné Prize is not limited by age or nationality, focusing instead on artistic merit. https://www.mgl.cz/en/exhibitions/michal-ranne-prize-2023-vladimir-havlik Havlík received the prize in October 2023.
Vladimír Havlík’s Artistic Practice
Vladimír Havlík’s artistic practice centers around land art and body art, often exploring the relationship between the human body and the natural environment. His work frequently involves interventions in landscapes and utilizes the body as a medium for artistic expression. He is known for creating ephemeral and site-specific installations.
The Broader implications of AI in the Arts
Havlík’s concerns about AI’s potential to “replace us” echo a wider discussion about the future of work in creative fields. AI image generators, text-to-image tools, and AI-powered music composition software are rapidly evolving, raising questions about the value of human creativity and the role of artists in a technologically advanced world. While some see AI as a tool to augment artistic capabilities, others fear it could devalue human skill and lead to job displacement.
Conclusion:
Vladimír Havlík’s nuanced perspective on AI – acknowledging both its potential benefits and risks – provides a valuable contribution to the ongoing conversation about the intersection of art and technology. as AI continues to develop, artists and audiences alike will need to grapple with its implications for the future of creative expression. The debate surrounding AI in art is highly likely to intensify, prompting further exploration of the boundaries between human and artificial intelligence in the realm of artistic creation.
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