AI is driving the stock market to record highs, dominating countless debates about the value of human labor, and radically rewiring the way schools approach education. it’s also causing a stir in the art world, with media artist Refik Anadol poised to open Dataland, the world’s first museum of AI arts, inside the Frank Gehry-designed Grand L.A. complex in downtown Los Angeles next spring.

The 25,000-square-foot museum was originally scheduled to open this year, but Anadol announced thursday that the opening has been pushed back to spring 2026.Anadol also unveiled a s

Refik Anadol’s AI-Driven Museum Promises a ‘Living’ Art Experience in Downtown L.A.

by Jessica Gelt

Downtown Los Angeles has a new cultural landmark: a museum entirely dedicated to the work of Refik Anadol, the Turkish-born, L.A.-based media artist known for his mesmerizing data sculptures and AI-driven installations.

Gallery C, as the museum is called, opened to the public this week, and it’s unlike any other art space in the city. There are no paintings, sculptures, or photographs in the traditional sense. Rather, the 30,000-square-foot space is filled with immersive environments created by algorithms that process vast amounts of data – from wind patterns to ocean currents to the museum’s own visitor activity – and translate them into dynamic, ever-changing artworks.

“This is not a museum of objects,” Anadol explained during a preview. “This is a living museum. It’s a living organism that breathes with the data.”

The centerpiece of the museum is the “Infinity room,” a cylindrical chamber where swirling, colorful visuals envelop visitors. The images are generated in real time by an AI trained on a dataset of over 100 million images of flowers. As visitors move through the space, their movements are captured by sensors and incorporated into the artwork, creating a personalized experience.

Other highlights include “Machine Hallucination,” a series of large-scale projections that transform architectural spaces into dreamlike landscapes, and “Living Archive,” a constantly evolving digital archive of Anadol’s past projects.

Anadol’s work has gained international recognition in recent years, with installations at the Walt Disney Concert Hall, Times square, and the Venice Biennale. But Gallery C represents a new level of ambition for the artist. It’s a space designed to showcase the full potential of AI as a creative tool and to explore the intersection of art, science, and technology.

“I want people to question what is real and what is artificial,” Anadol said. “I want them to think about the future of creativity and the role of machines in our lives.”

Gallery C is located at 777 S. Alameda St., Los Angeles. Tickets are $25 for adults and $20 for students and seniors. https://galleryc.ai/

Refik anadol’s New AI Museum Is a Portal to Another World

Los Angeles – Refik Anadol isn’t building a museum of art about artificial intelligence.he’s building a museum by artificial intelligence. And it’s unlike anything you’ve ever seen.

The artist’s new gallery, C. LIMA, opened in the Arts District this month, and its centerpiece is the Infinity Room, a cylindrical space where AI-generated visuals swirl and morph across the walls, floor, and ceiling. The effect is immersive, disorienting, and deeply gorgeous. It feels like stepping inside a living painting,or perhaps a dream.

“This is not a projection mapping show,” Anadol says, emphasizing the distinction. “This is a entirely different paradigm. The AI is the artist here. I’m the conductor.”

Anadol, a Turkish-American media artist, has been working with AI for over a decade, creating mesmerizing data sculptures and installations. But C. LIMA represents a new level of ambition. The gallery is dedicated entirely to AI-generated art, and the Infinity Room is its crown jewel.

The visuals in the Infinity Room are created by a generative adversarial network (GAN), a type of AI that learns to create new images by studying a vast dataset of existing images. In this case, the AI was trained on a collection of over 100 million images of flowers. But the resulting visuals are far from literal representations of flowers. They are abstract, fluid, and constantly evolving, resembling swirling galaxies, bioluminescent organisms, or the inner workings of the human brain.

“The AI doesn’t understand what a flower is,” Anadol explains. “It just understands patterns and relationships. And it uses those patterns to create something entirely new.”

The experience is further enhanced by a spatial audio system that responds to the visuals, creating a synesthetic experience that engages multiple senses. Visitors are encouraged to move around the room, exploring the different perspectives and allowing the AI to react to their presence.

C. LIMA also features other AI-generated works, including data sculptures that visualize the flow of details and interactive installations that respond to visitors’ movements and voices. But the Infinity Room is the main attraction, and it’s likely to leave a lasting impression on anyone who experiences it.

Anadol hopes that C.LIMA will inspire a new generation of artists and thinkers to explore the creative potential of AI. he believes that AI is not a threat to human creativity, but rather a powerful tool that can be used to augment and expand our artistic capabilities.

“this is just the beginning,” he says. “We’re entering a new era of art, where humans and machines collaborate to create things that neither could create alone.”