“Here Lies Love” on Stage Now: A Timely Musical About Marcos & Today’s Protests

by Daniel Perez - News Editor
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‘Here Lies Love’ Arrives in L.A. At a Moment of Political Resonance

The Center Theatre Group’s production of David Byrne and Fatboy Slim’s “Here Lies Love” opens February 18 at the Mark Taper Forum, arriving in Los Angeles at a time of heightened political awareness and global unrest. The musical, which chronicles the rise and fall of former Philippine First Lady Imelda Marcos, resonates with current events, including protests against federal immigration crackdowns in the U.S. And political challenges facing leaders in the Philippines.

A History of the Production

“Here Lies Love” first premiered in 2012 at Mass MoCA in Massachusetts, featuring a largely Filipino cast. Josh Dela Cruz, an ensemble actor at the time, recalled the experience as a formative one, navigating his identity as a performer and connecting with his Filipino heritage through the show’s subject matter.

The musical subsequently had runs Off-Broadway in 2013 and 2014, and in London in 2014, before making its Broadway debut in 2023 with an all-Filipino cast. The score is described as “disco-pop.”

Themes and Relevance

Director Snehal Desai, artistic director of the Center Theatre Group, chose “Here Lies Love” for the 2025-26 season recognizing its potential to spark important conversations. Desai noted the parallels between the themes explored in the musical – political assassinations, censorship, and martial law – and current events unfolding globally.

The production aims to implicate the audience in the Marcos’ ascent to power, revealing how authoritarian leaders can initially appear charming before revealing their true nature. The staging is designed to be visually opulent, concealing darker themes until they are fully exposed.

Cast Reflections

Josh Dela Cruz, now playing Ninoy Aquino, reflects that the show’s themes feel more urgent than when he first performed in it. Reanne Acasio, who portrays Imelda Marcos, emphasizes the sensitivity required when portraying historical events that continue to impact the Filipino community. She notes the show has opened doors for conversations and healing within families affected by martial law.

Chris Renfro, playing Ferdinand Marcos, shares that the production has facilitated open discussions about the Marcos regime within his own family. Joan Almedilla, who plays Aurora Aquino, hopes the musical will inspire audiences to take collective action against oppressive leaders.

A Production for Los Angeles

The L.A. Production holds particular significance given the city’s large Filipino population, exceeding 500,000 residents. The cast feels a loyalty to this production, hoping to provide a sense of pride and representation for the Filipino community.

Desai has made revisions to the show, including multiple reprises of the song “American Troglodyte,” designed to elicit different responses from the audience and highlight the complex relationship between the Philippines and American culture.

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