Düsseldorf’s Theaterlabor Traumgesicht Embraces ‘Slow Acting’ and Open Dialogue
For over four decades, Theaterlabor Traumgesicht in Düsseldorf has been dedicated to a unique theatrical approach known as “Slow Acting,” prioritizing improvisation and experimental performance. The group’s recent “Come In” event offered a glimpse into this distinctive method, fostering a space for both performers and audience members to engage in a relaxed and exploratory environment.
A Focus on the Character, Not the Performer
Founded over 40 years ago by Gianni Sarto and Wolfgang Keuter, Theaterlabor Traumgesicht distinguishes itself by evaluating the characters portrayed on stage, rather than the actors themselves. As Wolfgang Keuter explained to attendees of “Come In,” this approach encourages a deeper exploration of the role and allows for a more intuitive performance. The group views itself as researchers, constantly experimenting with new forms of expression.
“Come In”: An Invitation to Participate
The “Come In” format, held at the Golzheim-Forum, is designed to be informal and welcoming. Gianni Sarto described the event as an opportunity for the group to introduce itself and invite anyone from the audience to share a performance on stage. Approximately 20 people attended the event on February 22, 2026, creating a relaxed atmosphere with children playing in the center of the room.
A Perform in Progress: Exploring Unfinished Narratives
Currently, the theater is developing a piece based on an unfinished novel manuscript provided to Wolfgang Keuter by a friend. While Keuter expressed regret that the author hadn’t completed the work, he found the existing material compelling. A short film excerpt from rehearsals showcased three actors engaged in a minimalist, slow-paced scene seemingly revolving around a death and questions of reality, illustrating the principles of “Slow Acting.”
The Principles of ‘Slow Acting’
“Slow Acting” eschews traditional scripts and lengthy rehearsals, instead relying on intuition and improvisation. While the film was based on a novel, Keuter emphasized that the source material serves only as a starting point, allowing the performers to be guided by their instincts. The approach also prioritizes respectful interaction, with feedback focusing on the performance itself rather than offering direct criticism.
Audience Participation and Shared Expression
During “Come In,” two audience members took the stage to share their own performances. One participant chose to sing “Die Gedanken sind frei” (“Thoughts are Free”), drawn to its message, while another performed a Bach composition that had provided solace during a difficult time. The event also included attendees who are playwrights, exploring the balance between structure and improvisation in their work.
A Haven for Reflection
Theaterlabor Traumgesicht offers a space for quiet contemplation and alternative theatrical experiences. Those seeking a departure from conventional stage productions may find a welcoming environment within its experimental framework.
More information can be found at www.theaterlabor-traumgesicht-ev.de.